Richard Powers
A
rticles, excerpts,
and collected pieces


 

BIOGRAPHY NOVELS ARTICLES REVIEWS INTERVIEWS RESOURCES
 
  • "The Best Place for It." The New Yorker 63 (February 1, 1988): 28-35. Excerpt from Prisoner's Dilemma.

  • "State and Vine: Vineland." Yale Review 79.4 (Summer, 1990): 690-698. Review of Pynchon's Vineland.

  • "Hard Ones." Harper's Magazine 283 (August, 1991): 37. Excerpt from Gold Bug Variations.

  • "We Are Climbing Jacob's Ladder." Grand Street 10.1 (Winter, 1991): 182. Excerpt from Gold Bug Variations.

  • "Een Amerikaan in Holland." De Groene Amsterdammer (March 11, 1992):24-25.  Essay by Powers on the creative uses of cultural misunderstanding.  Reprinted in Joustra, Arendo (editor), Vreemde Ogen. Amsterdam: Prometheus, 1993.

  • "A Game We Couldn't Lose." New York Times. (February 18 1996): IV, 13:1. Op-Ed article on Gary Kasparov's chess match against IBM's Deep Blue computer. (865 words)

  • with Bruno Latour. "Two Writers Facing One Turing Test: A Dialog in Honor of HAL Between Richard Powers and Bruno Latour." Common Knowledge, 7.1: 177-191. Text prepared for the Cyberfest, March, 14, 1997, Urbana-Champaign.

  • "Losing Our Souls, Bit by Bit." New York Times. (July 15 1998): A, 19:2. Op-Ed article on the encroachment of online technologies into our personal lives. (1060 words)

  • "Life By Design: Too Many Breakthroughs." New York Times. (November 19 1998): A, 32:5. Op-Ed piece on biotechnology. (780 words)

  • “Eyes Wide Open.” New York Times Magazine (April 18, 1999): 80- 83. An assessment of the greatest ideas and accomplishments of the millennium.

  • “Escapes.” Esquire 131.7 (July, 1999): 86. Excerpt from Plowing the Dark.

  • [excerpt from Plowing the Dark] Conjunctions. 33 (Fall 1999).

  • "Being and Seeming: the Technology of Representation." Context. 3 (2000).

  • "All That Is Solid Melts Into Air" [excerpt from Plowing the Dark]. Harper's 300:1800 (May 2000): 20, 22-23.

  • "American Dreaming: The Limitless Absurdity of Our Belief In an Infinitely Transformable Future." New York Times Magazine. (May 7 2000): 67. Powers comments on a survey indicating Americans think they can be whoever they want to be. (1671 words)

  • "Sein und Schein: Zur Technologie der Darstellung." Schreibheft, Zeitschrift für Literatur. 56 (Mai 2001). Translation of "Being and Seeming: the Technology of Representation" (see above).

  • "The Simile." New York Times Magazine 151:51885 (September 23, 2001): 21-22. Powers is one of several authors sharing personal reflections on the events of September 11, 2001. He reflects on the inadequacy of similes to covey the effect of the attacks.

  • "Ba-Da Bang." New York Times Magazine. 151:51983 (December 30, 2001): 49. Powers remembers British astrophysicist and science fiction author Sir Fred Hoyle.

  • "Singing." (excerpt from The Time of Our Singing) Conjunctions. 37 (Fall 2001): 12-18.

  • "Und was kommt dann? Je mehr die Medizin vermag, umso mehr gleicht sie der Erzählkunst: Beide sollen zeigen, was die Zukunft bringt." Suddeutscher Zeitung. (August 10, 2002). A meditation on the parallels between storytelling and medicine, and on their ability to show the future. Translated into German by Joachim Kalka.

  • "From The Time of Our Singing." Tin House 4.1 (Fall, 2002): 42-52.

  • Entry in Harmon, James, L, (editor), Take My Advice: Letters to the Next Generation, Simon and Schuster (2002): 77-8.

  • "Literary Devices." Zoetrope 6.4 (Winter, 2002): 8-15. A piece on "self-telling" fiction in the digital age.  Reprinted in Lightman, Alan, et. al. (editor) Living With The Genie, Island Press (2003): 5-21.  Reprinted in Henderson, Bill, (editor), 2004 Pushcart Prize XXVIII: Best of the Small Presses (2003): 326-341.

  • "From the Files--John Barth: An Introduction." The Paris Review. 45, no. 167, (2003): 292 (3 pages)

  • Im Labor der Nomaden: Neue us-amerikanische Literatur. Vorwort [preface] by Richard Powers. Germany: Wehr, Norbert, 2003. ISBN: 3924071160.  Includes work by Ben Marcus, David Markson, and Curtis White. Edited by Guido Graf; translations by Marcus Ingendaay, Eike Schoenfeld, and Nikolaus Stingl.

  • "Improvisations." PEN America, Volume 3, Issue 5 (2004): 15 (2 pages).  Excerpt from Galatea 2.2.

  • "Introduction." Hughes, Brigid (editor), Paris Review Book of Planes, Trains, Elevators, and Waiting Rooms, Picador (2004): (ISBN: 0312433407). Reprinted in edited extract as "Real Time Bandits," in The Guardian (UK) Review (August 14, 2004), p. 3

  • "Kincatenate." Foer, Jonathan Safran, Nicole Krauss, and Dave Eggers (editors), The Future Dictionary of America. McSweeny's (2004): (ISBN: 1-932416-20-X).

  • "They Come in a Steady Stream Now."  A piece written by Powers for BBC radio, turned into an interactive digital work by Jessica Mullen for the web counterpart of the magazine Ninth Letter.  (December, 2004)

  • "I remember the thing homing in..." Short appreciation of Thomas Pynchon in a special edition of Bookforum Volume 12, Issue 2 (June-September, 2005) p. 40.

  • "Cranes." Excerpt from novel in progress, in Black Clock number 3 (Spring, 2005). p 1.

  • "The Seventh Event." Article in Granta 90: Country Life (Summer, 2005) p. 57.

  • "My Music." in Gramophone (October 2005), p. 170.

  • "In den Docks." Neue Rundschau (No. 2, 2005), p. 83-86. Translated into German by Manfred Allié.  Reprinted in Mein Klassiker: Autoren Erzählen vom Lesen, Fischer Verlag (Frankfurt am Main: 2008) p. 115-119.

  • "Wat er niet meer is." De Standaard der Letteren (November 25, 2005), p. 8-9. Cover story on memory, phantom pain, and a belated return to Belgium. Translated into Dutch by Geert Lernout.

  • "Meer der unbegrenzten Möglichkeiten." Profil 48:36 (November 28, 2005), p. 143-145. On Mozart's discovery of Bach Translated into German by Manfred Allié and Gabrielle Kempf-Allié

  • "An artificial being." in Bruno Latour and Peter Weibel (eds) Making things public: Atmospheres of Democracy, Cambridge (Massachusetts): MIT Press, pp. 614-619.

  • "A Head for Music." The New York Times. (Jan. 8, 2006): 4:14. Op-ed article on the efforts of researchers to gain insight into Mozart's genius via scientific analysis of his putative skull. 898 words.

  • "A Brief Take on Genetic Screening." The Believer. (March, 2006). p.

  • "De taal van het leven: een ruwe schets." Dietsche Warande & Belfort 06: 2 (April, 2006), p. 212-223.  An essay on writing science-based fiction.

  • "The Global Distributed Self-Mirroring Subterranean Neurological Soul-Sharing Picture Show." Japanese Book News 48 (Summer 2006) p. 2-14. An essay on the fiction of Haruki Murakami.

  • Bradshaw, Sara, et al. Nine Novels by Younger Americans. Foreword by Richard Powers. San Francisco: 826 Books, 2007.  Includes work by Sara Bradshaw, Rachel Barber, Daniel Cowen, Sarah Meira Rosenberg, Dylan Suher, Lucas Gonzalez, Julia Mayer, Carolyn Maughan, and Samantha Lipman. Publisher's description: 'This anthology collects nine exceptional novels that were written by high school students from New York City during the summer of 2005 in 826NYC's Young Adult Writers' Colony."

  • "How to speak a book."  New York Times Book Review (January 7, 2007).

 

 

BIOGRAPHY NOVELS ARTICLES REVIEWS INTERVIEWS RESOURCES

 

By David G. Dodd

Copyright 1997-2002 David Dodd.
This is a work in progress.
Any additions, corrections, etc. are more than welcome. Email David Dodd at david.g.dodd at gmail dot com

Last updated: 12/05/2007